外国人眼中的“中国白”|鲍氏基金会收藏的德化陶瓷（五）

（作者：Monique Crick 翻译：孙延燕）

The Baur Foundation's collection of Dehua porcelains（五）

作者：Monique Crick 翻译：德化陶瓷文化研究院 孙延燕

Two bowls and two small jars belong also to the Müller collection. The smaller bowl is decorated in low relief with three cranes in flight, beneath a frieze of leaf-shaped motifs(fig.11).Similar pieces have been found at the Qudougong kiln site. The large moulded bowl is ornated with boldly impressed scrolls inside and lotus petals and foliage on the outside(fig.12).The white porcelain body of these bowls has a chalky aspect and is covered with cream-coloured, crazed glaze leaving the edge unglazed and stopping short of the foot. The jar with angular body is decorated with foliage scrolls(fig.13)and the miniature vase(fig.14)has moulded fluted sides and a flared neck.

另两件瓷碗和两个小瓷罐同属于穆勒收藏。其中较小的碗在树叶状的饰带下面以浅浮雕的形式雕刻着三只飞鹤（图11)，同样的东西在德化屈斗宫窑也有发现；较大的模印碗内印有明显的卷纹，外面则是莲瓣和树叶纹（图12）。这些白色瓷胎的碗都有白面状的外观，覆盖着奶油色冰裂纹釉，边缘无釉，且几乎到圈足。那件多棱瓷罐由树叶的卷纹所装饰（图13）。图14的小型花瓶周边有模印凹面，颈部外展（图14)。

Alfred Baur had sought to have a collection of technically and aesthetically perfect works, representative of the Chinese ceramic art with a great variety of shape, colours and designs. The Baur Foundation, Museum of Far Eastern Art, has expanded over the past few years thanks to some exceptional donations which have successfully supplemented Alfred Baur's original collections and helped to turn the museum into an authoritative institution regarding Chinese and Japanese art.

阿尔佛雷德·鲍尔致力于收藏一些技术和审美上都臻于完美的作品，代表了中国陶瓷艺术造型、颜色和设计等方面的多样性。鲍氏基金会、远东艺术博物馆近年来的不断扩大得益于一些特别的捐赠，这些捐赠成为了阿尔佛雷德·鲍尔在原始收藏之外的有效补充，同时也使之成为关注中国和日本艺术的权威机构。

图11.瓷碗

径：14厘米 高：6厘米

南宋或元朝

FB.CM.2004.QB59

Marian Gérard摄影

鲍氏东方艺术馆

图12.瓷碗

径：19.5厘米 高：6厘米

南宋或元朝

FB.CM.2004.QB60

Marian Gérard摄影

鲍氏东方艺术馆

图13.瓷罐

高：10.5厘米

南宋或元朝

FB.CM.2004.QB57

Marian Gérard摄影

鲍氏东方艺术馆

图14.小花瓶

高：6.3厘米

南宋或元朝

FB.CM.2004.QB56

Marian Gérard摄影

鲍氏东方艺术馆